An exhibition of ceramic artwork made by students from several local secondary schools as part of the Crafts Council’s Firing Up scheme is currently on display in Museum Street at Sunderland Museum & Winter Gardens (SMWG). Firing Up
is a national programme which aims to reinvigorate the teaching of
ceramics in secondary schools. The project links schools with local
university ceramics departments in order to create a sustainable
infrastructure for skills exchange and education. The North East cluster
was co-ordinated by Dr Andrew Livingstone, subject leader for ceramics at the University of Sunderland and leader of CARCuos, the Ceramic Arts Research Centre at the same institution.
Andrew also led ceramics workshops with staff and students at Wellfield Community School, while Robert Winter, ceramics technician and maker, together with CARCuos Artist in Residence, Katherine Butler,
worked with Farringdon Sports Community College, Sandhill View
Community Arts School and St Bede's Catholic School and Sixth Form
Centre. I worked with approximately twenty Year 8 students and two
members of staff from St Aidan’s Catholic School, Sunderland. Several
undergraduate students from Glass and Ceramics also supported these
sessions. Each school benefited from 4 full-day workshops delivered by a
maker, as well as twilight skill-building sessions for the teachers run
by Robert Winter at the National Glass Centre. Many of the schools will
also receive Crafts Council funding to renew or refurbish their kilns,
enabling them to continue using clay in their curriculum after the
project has ended.
An important aim of the scheme is to
demonstrate to school students how working with clay and ceramics can
lead to a viable career and each maker adopted their own distinct
approach to the project, reflecting their professional and creative
interests. I was keen to incorporate my involvement in the project into
both my PhD research
and my wider artistic practice. After consultation with Alanna Nipper,
St Aidan’s art teacher, I decided to adapt the ‘Tags, Tabs and Traces’
local mapping project suggested by Clayground Collective
and the Crafts Council. Our project was loosely called ‘My Sunderland,
My Museum’ and the participants were invited to initially make clay
stamps and press moulds from personal items and found objects brought in
from home. From these stamps, a series of ‘labels’ and ‘plaques’ were
created. Finally, the students made a decorated slab-built box in which
they could store the original items used to make the stamps, as well as
any other personal ephemera, thereby creating their own miniature
‘museum’.
During the course of the project, Marie Harrison, SMWG's
Assistant Learning Officer, led a session in the museum's Pottery
Gallery, where my students enjoyed handling a range of objects from the
handling collection before being sent on a treasure hunt around the
museum to find iconic images and objects connected to Sunderland. The
trip ended with a sketching activity back in the Pottery Gallery. It was
intended that the visit would provide the students with an insight into
the varied collections in Sunderland, with particular emphasis on the
Sunderland pottery, which would inform the practical work they were
making in the ceramics workshops. Knowing that their work was soon to be
displayed in the museum, the students certainly seemed to enjoy the
trip, their only complaint being that it was too short. Some students,
taken with the 'frog mugs' on dispay, made their own versions back at
school, using slip-trailing techniques, inspired by other items in the
collection, to decorate them.
Andrew’s approach was to spend the
initial sessions focusing on developing basic clay skills which enabled
the students to make work inspired by the architecture of their school.
Robert and Katherine’s students produced collage-like pieces combining
textures, modelled elements and surface imagery.
The exhibition opening and North East Cluster Celebration event was held on Friday 13th
July and, according to Tony Quinn, Firing Up Project Co-ordinator, was
the best attended event so far. The exhibition will run until 13th September, 2012.
Christopher
McHugh is an AHRC Collaborative Doctoral Award PhD student based at the
University of Sunderland and Sunderland Museum & Winter Gardens.
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